Forthcoming
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Paris Photo 2025
Sylvie Bonnot / Le Royaume des Moustiques 13 - 16 Nov 2025 Hangar Gallery is part of Paris Photo 2025 - 28th Edition in the Emergence Sector. Booth M03. Hangar Gallery unveils Sylvie Bonnot's new series - Le Royaume des moustiques, completed at the Cité Internationale des Arts in Paris, as part of the Elles & Cité 2025 program. In the French Guiana Amazon, the artist went to meet the allochthonous communities who have found refuge there through the upheavals of history. Bushinenge and Hmong cosmogonies intersect here, where lianas weave the links between worlds. Pursuing her performative approach to landscape and image, Sylvie Bonnot presents a new body of unique works created using her distinctive “moulting” process, by lifting the silver gelatin membrane from her prints. The crystallized creases in her works echo the intertwined narratives of this equatorial territory in perpetual transformation, the scene of a visceral sharing of resources. Through the sensitive monochrome of her photographs, each of these assembled fragments of Amazonian life forms a connection with the animal and plant kingdoms. Paris Photo - 28th edition Read more -
Luxembourg Art Week 2025
Kira Krász / Alice Pallot / Laure Winants 21 - 23 Nov 2025 Hangar Galleris is part of Luxembourg art week 2025. TakeOff Sector / Stand D07. For Take Off 2025, Hangar Gallery presents three emerging women photographers under 35, exploring Time and Nature. Each artist developed their series over years, reflecting deeply on the medium of photography. Their distinctive works, often unique pieces, blend technique and message, focusing on an ecology of the image and images of ecology—a vision Hangar Gallery promotes. Kíra Krász reconnects human and natural timelines. She creates collages from vintage photos, placing human structures inside trees. Or she revisits an abandoned Hungarian sculpture park, once a symbol of rebellion, pondering on the life circle of art. Alice Pallot’s Algues Maudites is an anticipatory documentary on algae pollution in Brittany, mixing untouched photos with on-site elements used as color filters and prints altered by algae. Also creating a dialogue between art and science, Laure Winants’ Time Capsule captures Arctic ice and light changes, exploring more-than-human time through photographic experiments. Read more
Past
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Paris Photo 2024
Alice Pallot / Algues Maudites 7 - 10 Nov 2024 Hangar Gallery was present at the 27th Edition of Paris Photo with the artist Alice Pallot. Alice Pallot’s anticipatory documentary, produced in collaboration with scientists (CNRS, Résidence 1+2, Villa Perochon) since 2022, focuses on the proliferation of green algae in Brittany. This phenomenon, caused by waste from intensive agriculture and climate change, is a real environmental and health problem. As the algae decompose, they release a noxious and deadly gas called H2S. Imbued with a science-fictional imagination, Algues Maudites combines different visual experiments to materialise this hidden problem. Using rubbish gleaned on the spot as photographic filters, Alice Pallot creates intriguing images, sensitive observations without retouching. Immersed in baths of algae, some unique prints bear the marks of this pollution. With Algues Maudites, the artist summons up the narrative power of photography to inspire empathy and project us into a world of possibilities, enabling us to take action in favour of living beings. Paris Photo - 27th edition Read more -
A ppr oc he 2024
Antoine de Winter / Followers 7 - 10 Nov 2024 Hangar Gallery participated in the 8th Edition of Approche with the artist Antoine De Winter. Antoine De Winter's practice questions the production of photographic images through experimentation with the medium, the materials used and their layout in space. In his latest project, Followers (2024), Antoine De Winter explores self-representation in the age of social networks and artificial intelligence, using traditional photographic techniques. After collecting stolen portraits from fake Instagram user profiles, Antoine then compiled them via AI software to recreate a synthetic image, close to the original yet so distant. Transposed in cyanotype on fabric and modeled in relief with beeswax, these faces acquire a disquieting presence whose blue echoes the blue light of screens. Other faces are revealed on gold-leafed glass plates, acting as icons of our contemporary narcissism. With Followers, Antoine De Winter creates images that evoke the ambiguous feeling of watching while being watched. He invites us to reflect on the duality between our desire for digital immortality and our fear of dematerializing our identity. a ppr oc he - 8th edition Read more
